latelyr on , he paints a clear picture of what should not be associated to the object of art righteous stances , ethical sympathi es and the desire to upraise points are un! related to the work of the artist and should not be considered as motivation for the artistic taskWilde s position is consistent with the late 19th century movement of Aestheticism , for which there is no new(prenominal) purpose for creating art than simply doing so and any early(a) purpose served should be regarded as defect rather than deserve , art for art s sake , and for art s sake solely and , consort to Objectivism , and its advocate Ayn Rand , art serves many different purposes , the startle of which is the meaningful objectification of whatever is important to man (Torres Marder Kamhi 15 ) or , as explained by Rand , to selectively recreate universe allowing the human beings to learn which aspects of their existence are to be considered important . This domain is recreated by the concrete presentation - in the work of art - of an abstraction , the artists value judgments , world view and concernsConsiderations regarding the relationship amidst the work of art an d its audience will obviously transmute according to whether we adhere to one of these viewpoints or the other . Wilde considers that art mimics , or reflects the audience as it is , and that there is no moral crying whatsoever for the artist , whose only duty is to suck up beauty . This beauty should be recognized by a cultivated audience , avoid ethical considerations to pervade the man of art and ensure the production of an artwork which will recumb down diverse effects on the audience whether do taste or repulsion...If you want to get a proficient essay, coiffure it on our website: OrderEssay.net
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